AKG C535 PDF

Its capsule sits on a highly absorbent rubber bearing, eliminating any structure-based noise, while an adjustable balancing network cancels vibrations over a wide frequency range. In addition, a substantial brass layer below the capsule serves as a counterweight that increases stability and delivers cleaner acoustics. A new approach to broad-spectrum feedback rejection The C essentially eliminates feedback by combining a uniform cardioid polar pattern throughout the entire frequency spectrum with a specially designed suspension and grille for the capsule. This unique approach to housing the capsule avoids unwanted sound reflections on the back of the capsule from stage sound sources, the most common cause of feedback in other microphones. The protection system spares no expense and consists of the grille, a foam layer behind the grille and a magnetically attached computer-modeled mesh layer on top of the capsule.

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Page 6: Controls The surface of the C EB is matte black; therefore, the micro- phone is highly inconspicuous which is a particular advantage in television and stage work. Strong spotlights will not cause irritating The C EB is designed for external universal phantom powering 9 … Applications: mainly instrumental recordings, for reducing unwanted low frequency structureborne noise. Page 8: Microphone Housing Applications: as above, mainly vocalist, but also instru- mental recording, close-in miking in situations requiring effective suppression of proximity effect.

Microphone Microphone housing housing voltage regulator circuit, impedance converter, output transformer, and the 3-pin standard XLR connector male. These standards specify a positive voltage of 12, 24 or 48 volts on the audio lines versus the cable shield. Phantom powering with balanced inputs Page 11 Do not connect the microphone to any power supply other than a phantom power source input with phantom power or external connector, using a balanced cable with studio grade connectors to IEC only.

This is the only way to ensure safe and reliable operation. On the basis of extensive well as in many studios, we recommend the C EB particularly for the following applications. Page 13 The compass of the human voice extends from about 90 Hz to around 10 kHz including fundamentals and harmonics. The reason why the C EB is particularly suited for vocalist use is that it is and insensitivity to exication by structure-borne noise.

Another important feature is the four-position mode switch recessed in the microphone shaft. Page Acoustic Guitar This proximity effect may be compensated for by setting the mode switch to —14 dB.

Bass boost may also be avoided by directing the C EB toward fret no. Steel- tone because magnetic pickups work well only in the midrange. It is advisable to blow to the side of the microphone, in order to avoid excessive wind noise.

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AKG C535 EB User Instructions

Fairly small membrane suspended and well protected by a fairly effective windscreen against wind noise and plosives but not perfect. Low-cut two position attenuator. It is perfect to get a clear and defined sound. And when to put one microphone between two toms, I can not imagine anything more to the latter. I stopped recording guitar amps with it. It is infinitely better than a SM57 but is not used in the same way: I have the right place in the axis of the speaker but between 40cm and 80cm apart.

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AKG C 535 EB Specifications

Page 6: Controls The surface of the C EB is matte black; therefore, the micro- phone is highly inconspicuous which is a particular advantage in television and stage work. Strong spotlights will not cause irritating The C EB is designed for external universal phantom powering 9 … Applications: mainly instrumental recordings, for reducing unwanted low frequency structureborne noise. Page 8: Microphone Housing Applications: as above, mainly vocalist, but also instru- mental recording, close-in miking in situations requiring effective suppression of proximity effect. Microphone Microphone housing housing voltage regulator circuit, impedance converter, output transformer, and the 3-pin standard XLR connector male. These standards specify a positive voltage of 12, 24 or 48 volts on the audio lines versus the cable shield. Phantom powering with balanced inputs

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AKG C535EB Microphone

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