GREGSON CONCERTO TUBA PDF

The orchestral version was made in but did not receive its first performance until when it was premiered by its dedicatee, John Fletcher, at the Scottish Proms in Edinburgh with the Scottish National Orchestra, conducted by Sir Alexander Gibson. The concerto is in three movements, following the usual quick-slow-quick pattern: Allegro deciso, Lento e mesto, Allegro giocoso. The first is in a sonata form shell with two contrasting themes, the first rhythmic in character, the second lyrical. The second movement unfolds a long cantabile melody for the soloist, which contrasts to a ritornello idea which is announced three times by strings alone. The central climax of the movement triumphantly heralds the main theme from the full orchestra.

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The concerto exists in three versions: with brass band , orchestra and wind band The concerto is in three movements, following the usual, quick-slow-quick pattern: Allegro deciso, Lento e mesto, Allegro giocoso.

The first movement has a sonata form shell with two contrasting themes, the first one being rhythmic in character, the second lyrical. There is a reference made in passing to the Vaughan Williams Tuba Concerto, but this merges into the other material in the development section.

The second movement begins with a chorale, but after the entry of the tuba it leads to a cantabile theme, softly unfolded by the soloist. The opening chorale passage returns, this time briefly on muted brass, and leads to a middle section which is more chromatic in style and soon builds to a powerful climax, where the opening cantabile theme triumphantly returns.

The music subsides, returning to the opening chorale and ending peacefully. The finale is light and breezy in style, and is cast in rondo form. After a brief introduction the tuba announces the main rondo theme, which is dance-like and a little jaunty. There are two episodes: the first a broad sweeping tune, the second a slowish waltz and a little jazz-like. After a virtuoso cadenza reference is made to the very opening of the concerto before the work ends with a triumphal flourish.

The Tuba Concerto has established itself as one of the main works in the solo tuba repertoire. It has been performed and broadcast in over 40 countries all over the world. There are currently six commercial recordings of the concerto in its various versions.

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Tuba Concerto (brass band version)

The concerto exists in three versions: with brass band , orchestra and wind band The concerto is in three movements, following the usual, quick-slow-quick pattern: Allegro deciso, Lento e mesto, Allegro giocoso. The first movement has a sonata form shell with two contrasting themes, the first one being rhythmic in character, the second lyrical. There is a reference made in passing to the Vaughan Williams Tuba Concerto, but this merges into the other material in the development section. The second movement begins with a chorale, but after the entry of the tuba it leads to a cantabile theme, softly unfolded by the soloist.

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Fautaxe The bracketed numbers tell you the precise instrumentation of gregxon ensemble. String Instrumentation Codes Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example: In the third example, we have a rather extreme use of the system. It consists of the forces Brass Instrumentation Codes Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example: The first number stands for Violinthe second for Violathe third for Celloand the fourth for Double Bass. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:. Thus, this string quartet is for 2 Violas and 2 Cellos, rather than the usual After a brief introduction the tuba announces the main rondo theme, which is dance-like and a little jaunty.

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